![]() This etching is held by many museums and institutions, including The British Museum, The Yale University Art Gallery, The Cleveland Museum of Art, The Philadelphia Museum of Art, Columbia University Libraries and The William Morris Gallery. RF 2B92Y70Lady with fan., Half figure picture, pencil, washed, verso: pencil, sheet: 20.9 x 15.2 cm, not marked, Constantin Guys, Vlissingen 18021892. There are two tiny faint spots in the periphery of the upper margin, but the print is otherwise in excellent condition. The sheet measures 9.5" high by 12.75" wide and the mat measures 13.5" high by 16" wide. There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. It is signed in plate in the lower right and titled in the plate in the lower left. The history of art focuses on objects made by humans for any number of spiritual, narrative, philosophical, symbolic, conceptual, documentary, decorative. ![]() This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins. This etching is presented in a white mat that is suitable for framing. The events are memorialized in the Bayeux tapestry, created by William's wife. Plate II from the Piranesi's Carceri d'invenzione. ![]() Second state of two (Second Edition, First Issue, 1761), before the roman number II. This is the point of departure of William the Conqueror for his voyage to England in 1066, resulting in his victory over the Anglo-Saxons at the Battle of Hastings and the establishment of Norman rule. Piranesi HOME ABOUT PRINTS JAPANESE DRAWINGS CONTACT The man on a rack Etching with engraving 562x417. 195.00 Title of the print: Veduta del Sepolcro di Pisone Liciniano Artist: Giovanni Battista Piranesi (1720 1778) Original publication: Le Vedute di Roma Paper size: 32 x 21.7 inches (81 x 55 cm) Edition: The edition is limited to 250 prints, numbered 1/250 to 250/250, signed and stamped with a blind embossing. There are people on the beach and sailboats in the water. The etching depicts the beach at Beuzeval in Normandy with the shore in the foreground on the right lined by a row of houses, the sea at the left, and an expansive sky above. This is a mid 19th century etching entitled "Point de Depart de Guillaume de Normandie, Beuzeval, Emboucher de la Dives Calvados (The point of departure of William of Normandy (William the Conqueror)), created by Maxime Lalanne and published in 'L'Illustration Nouvelle' in 1868 by Alfred Cadart. 1798), including his richly illustrated inventory of plaster casts made.
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